Maybe it all started with the use of the Chorus in ancient tragedies. The set-up is brilliant: to have a play that preemptively incorporates the sentiment of the public. A play that does not situate itself outside of the spectator, but already negotiates their attitude.

This mechanism can be extrapolated: be it an obnoxious puppet that speaks from the ventriloquist's stomach, be it the pirates and princesses of t...

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